MAULBERTSCH, Franz AntonAustrian Painter, 1724-1796 | |||
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Adoration of the Virgin l~Adoration du Vierge, mk86 1757 Heiligenkreuz-Guttenbrunn, Orgelchor ID de tableau:: 33833 Voir la galerie dans Suède |
Adoration of the Virgin l~Adoration du Vierge, mk86 1757 Heiligenkreuz-Guttenbrunn, Orgelchor mk86 1757 Heiligenkreuz-Guttenbrunn,Orgelchor mk86 1757 Heiligenkreuz-Guttenbrunn,Orgelchor |
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Joseph and his Brothers ID de tableau:: 44433 Voir la galerie dans Suède |
Joseph and his Brothers 1745-50 Oil on canvas, 73 x 90,5 cm 1745-50_ Oil_on_canvas,_ 73_x_90,5_cm |
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Mary Magdalene ID de tableau:: 63081 Voir la galerie dans Suède |
Mary Magdalene 1754 Oil on canvas Cistertian Church, Zirc The picture shows the influence Piazzetta's painting. Artist: MAULBERTSCH, Franz Anton Painting Title: Mary Magdalen , 1751-1800 Painting Style: Austrian , , religious 1754_Oil_on_canvas_Cistertian_Church,_Zirc_The_picture_shows_the_influence_Piazzetta's_painting.__Artist:_MAULBERTSCH,_Franz_Anton_Painting_Title:_Mary_Magdalen_,__1751-1800_Painting_Style:_Austrian_,_,__religious |
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The Trinity - Oil on canvas ID de tableau:: 63083 Voir la galerie dans Suède |
The Trinity - Oil on canvas 62,5 x 33 cm Museum of Fine Arts, Budapest It was as a master of fresco-painting and as a most prolific decorator of churches and palaces in Austria, Czechoslovakia and Hungary that Franz Anton Maulbertsch was most appreciated by his contemporaries. Perhaps nowadays greater value is placed on his surviving bozzetti - sketches painted in gloriously fresh colours with brilliant technique. His late works, such as The Holy Trinity, a sketch for an altar-piece, are fluid in their handling, and the light colours give a silvery effect. In these sketches Maulbertsch captured his subjects with a few unbelievably light strokes of the brush and some spots of colour permeated with light. When he elaborated these sketches in their final form, however, particularly in the case of the later altarpieces, the spontaneity was often lost, the forms becoming heavier and the hues muted. This sketch from the late period of the artist was identified as a study for the altarpiece in the Parish Church in Wien-Reindorf. Artist: MAULBERTSCH, Franz Anton Painting Title: The Trinity , 1751-1800 Painting Style: Austrian , , religious 62,5_x_33_cm_Museum_of_Fine_Arts,_Budapest_It_was_as_a_master_of_fresco-painting_and_as_a_most_prolific_decorator_of_churches_and_palaces_in_Austria,_Czechoslovakia_and_Hungary_that_Franz_Anton_Maulbertsch_was_most_appreciated_by_his_contemporaries._Perhaps_nowadays_greater_value_is_placed_on_his_surviving_bozzetti_-_sketches_painted_in_gloriously_fresh_colours_with_brilliant_technique._His_late_works,_such_as_The_Holy_Trinity,_a_sketch_for_an_altar-piece,_are_fluid_in_their_handling,_and_the_light_colours_give_a_silvery_effect._In_these_sketches_Maulbertsch_captured_his_subjects_with_a_few_unbelievably_light_strokes_of_the_brush_and_some_spots_of_colour_permeated_with_light._When_he_elaborated_these_sketches_in_their_final_form,_however,_particularly_in_the_case_of_the_later_altarpieces,_the_spontaneity_was_often_lost,_the_forms_becoming_heavier_and_the_hues_muted._This_sketch_from_the_late_period_of_the_artist_was_identified_as_a_study_for_the_altarpiece_in_the_Parish_Church_in_Wien-Reindorf.__Artist:_MAULBERTSCH,_Franz_Anton_Painting_Title:_The_Trinity_,__1751-1800_Painting_Style:_Austrian_,_,__religious |
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Decoration of the Cupola ID de tableau:: 64403 Voir la galerie dans Suède |
Decoration of the Cupola 1783 Fresco Parish Church, P?pa Artist:MAULBERTSCH, Franz Anton Title: Decoration of the Cupola, 1751-1800, Austrian , painting , religious 1783_Fresco_Parish_Church,_P?pa__Artist:MAULBERTSCH,_Franz_Anton_Title:_Decoration_of_the_Cupola,__1751-1800,__Austrian_,___painting_,___religious |
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| Artiste précédent Artiste prochain | ||||||||||
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| MAULBERTSCH, Franz Anton | ||||||||||
| Austrian Painter, 1724-1796 | ||||||||||
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